Woman hairdressing - Hairdo review - Hair trend magazine
Queen International N. 66 2008
ARTISTIC DIRECTOR OF EUROPEAN AVEDA
Tom Kroboth was born in Vienna, Austria, 8
He began the job of hairdresser from below:
in 1985 Tom Kroboth began an apprenticeship
as acconciatore with Intercoiffeur
Ossig Vienna, which ends in 1988. In
1990 begins vocational education specialist
in the field and dell'avanguardia
show with the exhibition Grecht Vienna.
His staff not only leads
the exhibition Gerhard Meier of Monaco, but
Vidal Sasson also to Hamburg. During the
following 6 years he was taught the only
Technical cutting Vidal Sasson and, after two
years, was also appointed Director
Creative. In this new job is responsible
development of the trend,
shows, international seminars and
internal training. Since 2000,
Tom Kroboth works as an artist of hairstyles
and makeup free-lance with BIGOUDI to
Hamburg and you create a name in fashion
national and international advertising
and media productions. Above is
responsible for the production of countless
photo for Gard. A number of events
fashion, for example Chanel, Roberto
Cavalli, Gucci, Strenesse and Vivienne
Westwood, Tom Kroboth convinces successfully
look at and with modern look
by walkway as well as with individual styles.
It is distinguished by easily revive,
reinterpreting and developing styles hairstyles
classical belonging to different decades
in a modern way. Even artists recognized
internationally as David Copperfield,
Heike Makatsch, Liza Minelli, and Eva Padberg
Jil Sander receive advice and recommendations of
Kroboth style. In 2004 Tom Kroboth is
joined Aveda and was appointed Director
Creative of 'Aveda Lifestyle Salon & Spa
Berlin. It is responsible for providing direction
creative shop flag of Aveda.
Kroboth further becomes known
internationally when he was appointed
Artistic Director of Aveda August 15, 2006.
In close collaboration with Antoinette
Beenders, the Creative Director of Aveda, and
David Adams, Technical Director of Artistic
Aveda, becomes responsible for the style and
training of Aveda Lifestyle salons. Moreover,
is at the head of creative direction of
European Academies of Aveda and operates as
Representative style for Aveda in Europe.
The brand's most exclusive career of Tom
Kroboth is without doubt its success to
German Hairdressing Awards. In 2005
Vanguard wins in the categories and Men,
the following year in the categories Vanguard,
Press and Women of Northern Ireland. Again, in
2007, shaking in his hands as the trophy
winning in the categories and Vanguard
Print. Vincendo the prize for Vanguard
the third consecutive time, is the second designer
admitted all'agognato Exhibition of Fame,
honouring hairdressers high-ranking industry
German hairstyles. Also
Kroboth internationally convinces with
his ideas. From AIPP Awards in 2007 emerge
as the best hairdresser of Vanguard
and won the second place in the category
Best of Men. In the summer of 2008 is
rewarded as the best of acconciatore
world with the Great Trophy AIPP 2007-2008,
thus following the footsteps of some of the stylists
What interested you at the beginning of your profession?
When I was a child, I used to dress and
cut the hair of dolls for my sister,
something that you obviously did not like…
How were your early years in this
I worked as an apprentice in the salon
hairstyles classic Vienna and I attended
a number of selections in Austria ...
Where do your ideas of style?
I take inspiration virtually everywhere --
fashion, music, art, history, economy, roads
-- And while I'm traveling.
About admire today?
I admire all the designers who constantly improve
their techniques, ideas and collections.
Please tell your forecasts mode to
I am sure the short cut back again
fashion as can be seen in gangways
all events fashion, it is a trend
also known that among my clients.
How do you think that will change the styles that
create in the future?
I do not think that my styles change in
future, but I like to inspire other designers
to continue to work developing the
their ideas, techniques and creativity.
How do you keep updated with the latest
I supervised the latest magazines
fashion, bridges and the cinema. However
are no longer so attentive to trends, rather
I prefer to focus my attention
on the perception of hair.
What is fashion for you?
Fashion is a way to express personality
someone and offers many opportunities
to be creative…
What some believe to be the main
differences between the work of European designers?
I consider Germany a great place to
Regarding the technical professional
cut and style, a modern way to create
hairstyles. London is more focused on
hairstyle .. Italy and Spain can
be considered specialists of long hair
dell'asciugatura and a hair dryer. However
I think that in this Europe continues
to grow together…
What you passionate about this
I love making people happy!
What is your guiding philosophy?
Before learning the techniques and how to apply them,
then you can become creative.
What results vai most proud of?
Having won recognition in designer
What's your secret to make happy customers?
Listen, listen, listen…
What are your personal goals for the future?
I look and see what the future has in store.
Of course I dream, who knows…
How do you see the woman of today?
I miss the woman who dressed and appeared
fantastic as it was in the 40s or
'60. The times are different but women should
be proud to be female and
sexy. However, I believe that the trend is a
changing some hours, fortunately.
What are the main differences between a
acconciatore and a designer of success?
Only a acconciatore that is truly passionate
its work will be a successful fashion designer.
What is the secret of your success?
I put great passion in what I'm doing!
What gives you more inspiration?
Discuss my ideas with unusual friends.
In your opinion, you must travel to stay
at the top of your profession?
For me travel is very important.
When assisto events in various fashion
parts of the world can work with
best stylists and I learn a lot from them.
What is the country later in absolute in
the field of style?
I love London since draw so much inspiration
from this city simply walking
along the streets or in clubs going.
What was the most important satisfaction
you received during your career?
The first time I met Vidal
Sassoon. And of course win the Grand Trophy
AIPP: that great honour to see my name
close to all those fantastic winners
How denomineresti your style?
For my look at me like consider
hair as a material, just
as an artist. For more mainstream look
I focus on technical and professional perfect
combining them with beauty.
As the relationship with your employees?
Can I get success only with a group
strong and professional.
What tendi to recommend more frequently
your customers, cut or color? And what
you ask most frequently?
Prediligo cuts. However recommend to concentrate
in either thing.
How often do your customers come from you?
Depends. I work with clients who are
every six weeks, others who come every three
months. However a good cut should never be
really off form.
Imagine that you are asked to divide
your customers into categories: what is the category
that gives you more satisfaction?
Customers who give me confidence and know that the
result will be good. But I feel a great
challenge when I'm in front of customers "difficult"
(if ever there are): I love them
Do you believe that today is more important for a woman
be well dressed or have 'the head-to-place'?
The hairstyle: the wearing all day…
What is your message to Queen
Learn from the profession dell'acconciatore
nothing, keep your eye trained and fai
attention to detail.
STEP BY STEP
The urchins of the model need a new form. Hair is gone
cut off and there is need more volume inside.
2. Graph the facility - On the domestic front, layers are increased
overlapping layers uniform. Later lengths Graduate overlap
a hair shorter in the area of the neck. Strata is well uniform
extending from the sides towards the crown.
3. Sezionate a diagonal line from the left on the apex of the head slightly
toward the right rear of the center of the ridge. From there created
a diagonal line high to the left of the neck and a diagonal line
low to the right of the neck. Sezionate the inside from the right
Faced above the apex of the head to the tip left ear.
4. On the left side of the neck, creating a deep diagonal line toward the
rear. With his head straight, perpendicular distributed and projected to
a high angle. Place your fingers and modeled in parallel with the razor.
Continue using a line until they reach half the section.
5. Use the line in mid-section as a reference line. Do converge
the next rows while positioned your fingers not parallel
for an increase in length to the right. Continue through the section.
6. Under the left rear create a vertical line behind the ear.
Put your fingers vertically and used the tip of the razor to sculpt
segments shorter hair inside the line. Modellate the remaining lengths
from top to bottom line parallel to your fingers.
7. Work up to reach the attachment to the right front lines with design
Multiple creating a gradual increase in length toward the right.
8. Create a vertical line at the right ear. Put your
fingers vertically and modeled in parallel with the razor creating a line.
Do hair dall'attaccatura converge toward the front and rear
modelled with the razor in parallel. Create a back-row diagonal
1 "(2.5 cm) behind the right ear, do converge lengths forward and
modelled with razor parallel with the same line.
9. The design shows a row along the front attachment along the left side.
Create vertical stripes on the left side and main lines from one point of origin
10. Then, take a line width to 1.25 cm-long attachment
front left. Modellate razor with vertical stripes arranged individual and
hair at 90 ° to create short lengths uniform. Work from the front
to the bases.
11. Scolpite the section left internal taking lines with vertical projection
90 degrees and your fingers placed near the tips. Modellate with razor
the Media section up on the tip lengths to create well-structured.
Scolpite what remains of the view.
12. Use a guide length by the crown and create a vertical line dall'apice.
Put your fingers for an increase in length to his forehead.
Modellate with razor parallel to your fingers. Use a reference line,
create a main line and work towards the right side.
13. The design shows the disposition of an off-center triangle at the
internal right and braids lights in the crown. Both the section
that the lights were pre-schiariti using lightening powder to 30
14. Rinse and dry hair. Create a strip towards the front of
Section pre-cleared. Apply the color blonde clear Standing at 20
15. Create another diagonal. Apply the color permanent golden
with 10 volumes (3%).
16. Apply the color with golden Standing 10 volumes (3%) to strip later.
Then, applied the color blonde level 9 to clear remaining hair
17. Apply the color blonde level 9 clear to the parties intertwined close to
crown. Treat, rinsed, applied balm and shampoo before proceeding
with the hair.
FASHION FALL / WINTER 2008/2009
It is a collection of mood central to
Antonio Marras. It alternate strict dress clothes to exquisitely
female, rich embroidery and unpredictable
drapes, making the romantic gray
smoke. The men's suits tighten up the silhouette,
while calling it with style, but the rest of the collection
is soft on a palette of dove, pink and powder.
It is a balanced synthesis of rigour and sensuality last
collection by Donatella Versace. The clothes are snappy,
charges in hues from purple to fuchsia to yellow and
sartorial design on forms and volumes. In the evening explodes
glamour: long dresses in jersey and chiffon in color
squillanti as amethyst, cyclamen, yellow neon,
embellished by asymmetries and discreet embroidery.
The new collection Blugirl hide wool we rediscover
the cardigans and pullovers Norwegian, a cape
flakes, the cap jersey with the board fur
calzamaglie the big gloves and wool until
the elbow. To make life more female contributes
the shade of creamy powder, but the sweetness
is also reflected in the black. Tornano then dresses
dissolved the "Années Fitzgerald" and the golden shoes or
with silver straps, but above and opaque stockings
under layers of cashmere. To cover their backs a
series of delightful cappottini with martingale, waistcoats
fur and mantelline.
Here, instead, look for the rich, famous and beautiful
un'overdose fallen into sex, drugs and celebrity:
Frenkie Morello collection speaks of excesses, screams inconveniences,
tells stories of broken lives through symbols
and carved lettering on clothes origami. Beyond the
game, the collection is built on three-dimensionality
lucidissima paint and worked with waves,
on sequins used as scales on laserati carvings,
on the edges of marabù on taffetà multilayer.
Naked of the dark-rebel-pop, the collection
is portable: cappottini combined the silhouette,
suits with square wrists fur minidresses effect
pixels, the trench line in pencil, jackets with the
maxi cap, from smoking jackets without sleeves.
The collection winter Missoni is a hymn to
architectural construction of the garments, all played around
rounded forms and circulars or asymmetric and
very enveloping, hailed as couture fabric
double cloth and cashmere approached the mink bicolour
which often also creates volumes kimono or becomes
a skirt. Blocks of color, from peacock to raspberry,
from pistachio oil, smorzati grey and
from black stand out on clothes and sweaters from the forms to
sacks on intarsiate mesh with floral motifs or
mohair plain, on hoods with ponchos in nappa
cap dubbed skirts and silk cut spiral.
The woman travels Armani, you see, absorbs, is inspired, but
maintains its classic style ever. Its short jackets
and its soft trousers, his shoes without
heel and his clothes on the small bust and wide on
skirt, its sober colors and its sophisticated prints. I
ethnic references are evident, with a particular eye
Orient in a Gipsy. As usual the structures
Heads are master packages important and often
asymmetric, clothes evening precious trimmings:
Instead the new coats evening jersey
fasciante but not thick, and shirts silk flounces
plissettata color anthracite.